2009年3月30日 星期一

class ex.

-use gold and silver colour
-complementary colour
-heavy
- people want to explore
-create a mood
-spcial lives
-fashion and rock feeling




-warm colour
-blue , violet and white
-analogic colour
-comfortable
-relax
-light
-suitable for children clothing









2009年3月28日 星期六


















No longer the style of CHANEL, adding the Japanese element into it. Mainly white, giving me the snowy feeling.
The animal pattern displays the market for youths.

2009年3月26日 星期四














Chanel has recently released high-level hand-Paris-Moscow Square series, can see that Coco Chanel was the inspiration from Russia to be creative. Over the years, Chanel jewelry Desrues accessories dedicated to preserving, Lemarié Mania Camellia plume, Lesage embroidery workshop, Massaro Mania footwear, Michel帽饰Mania, Goossens silver workshop, Guillet flowers traditional workshop and future development; At the same time, since 2002, Karl Lagerfeld introduced every year in order to place the name of a particular series, to the master They pay tribute to the highest. The Karl Lagerfeld at Chanel under the leadership of the introduction of the Paris-Moscow series of high-level hand-Square is based on Ms. Coco Chanel was the Russian Grand Duke Dimitri Pavlovitch design from the Love Story, which included personal favorite Karl Russia, the three elements: the structure, and elements of imperialism and the Russian tradition.

2009年3月20日 星期五

For the Group Presentation,I will put emphasis on some older collections,and here comes the links of those collections,and then i will have a decription on it.



CHANEL SPRING SUMMER 1992
http://www.youtube.com/watch?v=3SnzCrTL__M

CHANEL FALL/WINTER 1994
http://www.youtube.com/watch?v=wbDOEsEaogw

CHANEL SPRING SUMMER 1995
http://www.youtube.com/watch?v=efbcc9-q8n4http://www.youtube.com/watch?v=Jr95EQ0IOdI

CHANEL SPRING SUMMER 1996
http://www.youtube.com/watch?v=mYV3_HAsjb8

2009年3月17日 星期二

Color Story of CHANEL SPRING SUMMER 1996 Collection








Description:
-shocking colors(pink ,green and orange)
-colorful
-both pure color and tint color
-eye-catching

-complementary colour



Color Story of CHANEL SPRING SUMMER 1995 Collection






Description:-dominant color:black, gray and white
-achromatic(colorless scheme with black, gray and white)
-wide range of value(lightness)
-complementary colour







Color Story of CHANEL SPRING SUMMER 1994 Collection






Description:
-pure color
-low value
-triad(yellow,red and blue)
-complementary colors(blue and orange)
-sharp,eye-catching
-Achromatic





Color Story of CHANEL SPRING SUMMER 1992 CollectionDescription:





-tint-high value-analogous(tint color adjacent to each other e.g light pink & violet)
-tetrad-sense of harmony
-feeling of peace
-complementary colour
http://www.leadfashion.com/A-Z/Chanel


Chanel Spring/Summer 2009 Ready to Wear
Chanel Spring/Summer 2009 Handbags
Chanel Spring/Summer 2009 Women's Shoes
Chanel Spring/Summer 2009 Details
Chanel Autumn/Winter 2008-2009 Haute Couture
Chanel Autumn/Winter 2008-2009 Ready to Wear
Chanel Autumn/Winter 2008-2009 Details
Chanel Autumn/Winter 2008-2009 Women's Shoes
Chanel Spring/Summer 2008 Details
Chanel Spring/Summer 2008 Ready to Wear
Chanel Spring/Summer 2008 Haute Couture
Chanel Spring/Summer 2008 Women's Shoes
Chanel Spring/Summer 2008 Handbags
Chanel Spring/Summer 2008 Haute Couture Details
Chanel Autumn/Winter 2007-2008 Ready to Wear
Chanel Autumn/Winter 2007-2008 Haute Couture
Chanel Autumn/Winter 2007-2008 Haute Couture Details
Chanel Autumn/Winter 2007-2008 Backstage
Chanel Autumn/Winter 2007-2008 Women's Shoes
Chanel Autumn/Winter 2007-2008 Handbags
Chanel Autumn/Winter 2007-2008 Details
Chanel Spring/Summer 2007 Handbags
Chanel Spring/Summer 2007 Haute Couture Details
Chanel Spring/Summer 2007 Backstage
Chanel Spring/Summer 2007 Haute Couture
Chanel Spring/Summer 2007 Details
Chanel Spring/Summer 2007 Women's Shoes
Chanel Spring/Summer 2007 Ready to Wear
Chanel Autumn/Winter 2006-2007 Backstage
Chanel Autumn/Winter 2006-2007 Haute Couture Details
Chanel Autumn/Winter 2006-2007 Ready to Wear
Chanel Autumn/Winter 2006-2007 Women's Shoes
Chanel Autumn/Winter 2006-2007 Haute Couture
Chanel Autumn/Winter 2006-2007 Details
Chanel Spring/Summer 2006 Haute Couture
Chanel Spring/Summer 2006 Haute Couture Details
Chanel Spring/Summer 2006 Ready to Wear
Chanel Autumn/Winter 2005-2006 Details
Chanel Autumn/Winter 2005-2006 Haute Couture
Chanel Autumn/Winter 2005-2006 Women's Shoes
Chanel Autumn/Winter 2005-2006 Ready to Wear
Chanel Autumn/Winter 2005-2006 Handbags
Chanel Spring/Summer 2005 Haute Couture Details
Chanel Spring/Summer 2005 Details
Chanel Spring/Summer 2005 Ready to Wear
Chanel Spring/Summer 2005 Haute Couture
Chanel Spring/Summer 2005 Backstage
Chanel Spring/Summer 2005 Women's Shoes
Chanel Spring/Summer 2005 Handbags
Chanel Autumn/Winter 2004-2005 Haute Couture
Chanel Autumn/Winter 2004-2005 Handbags
Chanel Autumn/Winter 2004-2005 Backstage
Chanel Autumn/Winter 2004-2005 Women's Shoes
Chanel Autumn/Winter 2004-2005 Ready to Wear
Chanel Autumn/Winter 2004-2005 Details
Chanel Spring/Summer 2004 Women's Shoes
Chanel Spring/Summer 2004 Handbags
Chanel Spring/Summer 2004 Backstage
Chanel Spring/Summer 2004 Ready to Wear
Chanel Spring/Summer 2004 Haute Couture
Chanel Spring/Summer 2004 Details
Chanel Autumn/Winter 2003-2004 Haute Couture
Chanel Autumn/Winter 2003-2004 Ready to Wear
Chanel Spring/Summer 2003 Ready to Wear
Chanel Spring/Summer 2003 Haute Couture
Chanel Spring/Summer 2002 Haute Couture
Chanel Autumn/Winter 2002-2003 Ready to Wear
Chanel Autumn/Winter 2002-2003 Haute Couture

2009年3月15日 星期日

Channel s/s ready -to-wear 2009


-Achromatic scheme
-Analogic colour



For the s/s ready-to- wear2009, Karl Largerfeld used a relatively tight palette of black, white, and gray, he made free with current references to graphic checks. He also used pink in the collection that aims at adding romance in it.


Channel s/s couture 2009

-Achromatic scheme



A white page'This collection use of pale white colour in all pieces of outlets.It is one of Channel label colour , but use of a 'games of lines & shapes' to interest the collection.For this time, we can notice that only one color can be used in whole collection but can project different feeling.









Haute Couture Spring-Summer 2007


-Achromatic scheme
-Analogic colour

Haute Couture Spring-Summer 2006

-Achromatic scheme
-Analogic color


The audience at Chanel's spring presentation was greeted by the sight of a gargantuan computer screen and keyboard, placed at the end of the runway. It seemed like the one unifying symbol of everything Karl Lagerfeld sent out in the collection: all the high-speed information about every trend of the season, communicated directly onto a computer screen in real time. Faster than even Style.com can report it.It was as if the ever-restless Lagerfeld, sitting in his studio at the Rue Cambon, had designed while continually hitting the refresh button on his vision of the global domain of the eternal "CC." What should the new Chanel jacket look like for spring '06? Tight and neat, and worn with Bermudas. What's the news on the dress? Nude chiffon, banded in black. There's a printy, scarfy feeling out there: Bring on a few billowy Art Deco blouses. Nail "schoolgirl" in a tweed jumper. Check off crunchy lace with a sweet white A-line T-shirt and skirt. Compress puffed sleeves and boleros into a cropped taffeta jacket. Salute "folkloric" with a Spanish-pattern black-and-white sweater and a flounced skirt. And as for the chain belt? No problem—Chanel owns it!Part of the point of this is that Lagerfeld's febrile capacity for instant-uptake fashion can fill a football pitch—and yet still all look like Chanel. In reality, fashion is now more about the availability of a gazillion simultaneous choices rather than the single, old-school designer diktat. With this collection, Lagerfeld broke the taboo on saying that out loud—while also proving that a strong brand, strongly directed, can surf any trend without losing its identity. Does that mean Chanel has resigned itself to adapting to the culture of fast-fashion disposability, though? Oh, not at all. The fifties circle skirt and poufy taffeta dresses at the end of the show were pretty time-transcenders that might live in any girl's wardrobe for decades to come.
Chanel 2006---A/W
06 small black dress CHANEL autumn and winter, re-interpreting the signs of dark tweed, decorated with the same color pattern decals camellia. Contrast Contrast is more attractive: Men's high-necked white shirt and black tie, with miniskirts, ultra-high personal small sheepskin boots - CHANEL Victor / Victoria gender Games mash out again. Sports flu camellias, roses have red, gray or lilac color, whether it is with ice ballet style soft leather skirts short skirts, and rib Net-style vest, jacket and coator decorated in fashionable black and white jacket on, are so exciting. Season debut edge decorative knee black ribbon bow narrow leg jeans, with Chinese-style white vest, or a dinner jacket and black leather gloves Lu means, having another style.

Color Family of S/S 2005 Haute Couture


Chanel Spring/Summer 2005 Haute Couture


-Achromatic scheme
-Analogic color
Add new black white Elegant and comfortable this season in order to transfer the gray, cold winter to capture the charm. Despite the opening of the first set on the declaration: the effect of fine black-modified to fit up a strong contrast to the white collar! Black and white contact, the black-and-white knitted staggered,灰蓝, gray eyes and put a large number of灰褐. Men from the same inspiration Tweed, with the same Camellia Chanel No.5, after re-interpreting the traditional style of fashion after the return to the stage of skill OVERSIZE package body so that a woman may have looked closely细窄easier. Chanel this season, including the design of knitting as light tweed jacket, as well as the inspiration for the lantern from the men's shorts. It is worth emphasizing that women男模wearing apparel increased in the extended version of the platform, but also reflect and draw inspiration from the men's design. Performances this season of the sexy lower body to increase lower body design, with most of the design concern is the increase in short skirts百折boots, and tweed suits to take to knitting stockings, high heels露趾sets a good liberation of the toes. In addition, Carl. Lagerfeld Chanel not only retains the elegant style and a new injection of new life, such as handsome a pair of jeans in the narrow tube knee bow tie. As for small black dress is the star of autumn and winter, with long and soft legs sexy high-heeled boots or sandals, wantonly create different style. Camellia Chanel tweed appeared to be the first male President of the Tweed tweed used in female dress, this season is unprecedented tweed camellia! A gray tone, soft wool tweed camellia used in boots, bell-shaped hat and the bag, the fashion show features young. Chanel rock rock an important element in fashion, including Karl. Lagerfeld famous gloves, flowers decorate the jewelry, pearls and camellias, and thigh length boots and attractive mixed-metal chain link belt tweed. In some parts, shell patterns in Kashmir露趾socks high heels beautiful style to show a trace of autumn, the shell smooth pattern of the new bags made from leather, decorated with Link Check online as numerous as the stars of the small bottom, each of the stars are twinkling CC LOGO.





Color Family of S/S 2004 Haute Couture


Chanel Spring/Summer 2004 Haute Couture

-Achromatic scheme

-Complementary colour


modern and colourful styles

Karl Lagerfeld genius in interpreting Coco Chanel is a given with his continuous winning streak with the venerable fashion house since 1983.Today at the Carrousel du Louvre, he went back in time, to the earliest days of the French fashion house, then turned around to catapult it to the future by incorporating boys (as in males) in a tomboyish, streetwise, urban wear Chanel collection.According to fashion history, Mademoiselle Chanel purloined a shirt from her lover, the Duke of Westminster to start the biggest fashion revolution of the century ?women wearing loose fitting tweed jackets instead of the curve-showing, bodice-hugging corsets.The now famous and classic Chanel suit was born!Coco Chanel place in history as an innovative designer is recognized the world over. Karl Lagerfeld contribution to the ever-changing world of fashion is also beyond question.Put the two together and you get a forward thinking and groundbreaking fashion duo separated by time, yet very much alive and contemporary. The whole is bigger than the sum of its parts as proven by what was seen today on a faux asphalt runway featuring mannish jackets, cigarette pants and kangol hats.To say that the show is about androgynous dressing will be incomplete. It is also a Chanel history lesson. It is about Coco Chanel vision. It is also about Karl Lagerfeld and his mastery of feeling the pulse of the market.Several seasons ago, he put hip-hop on the Chanel runway, long before it was generally accepted in the U.S., the place where the hip-hop subculture was born, that this youth culture has gone mainstream.And this time, Karl Lagerfeld shows his mastery of the fashion pulse once again by putting urban wear, in the elegant Chanel style of course, on the limelight.There is menswear and womenswear, two sides of the coin. Like the North Pole and the South Pole, they are two opposing pulls of gravity.Like Coco Chanel who combined them during the turn of the 20th century, Karl Lagerfeld is doing the same thing a hundred years later, running the gamut of modern styles from the androgynous tweed jackets to chic nylon parkas, to the most elegant of sweat suits ?knitted cashmere hooded tops and pants in sorbet colors.He even found time to design accessories which will be must haves come fall ?small square purses, penny loafers, running shoes, two-toned army style boots, and the plethora of hats from knitted berets to ball caps.And as always, he did not forget Chanel main clientele, sending beautiful tweed suits, wispy dresses and gowns on the runway.Add to that Chanel's signature necklace, belt chains and logoed accessories, a woman cannot ask for more.


Color Family of S/S 2003 Haute Couture

Chanel Spring/Summer 2003 Haute Couture

-Achromatic scheme

-Complementary colour



Color Family of S/S 2002 Haute Couture

Chanel Spring/Summer 2002 Haute Couture

-Achromatic scheme

-Analogic colour




The mixture of young and elegance bu using chiffon, transparent fabric comforts the wearers in Spring, giving the image like goddess in heave, white and black, but also the floral pattern.

Second, the traditional black-and-white color tone, wide belt of the beads on the design, sexy tulle dress, the cardigan jacket coat. CHANEL quarter of the women posted on the basis of keeping the traditional extra popular elements, such as a more tailor-made tailoring, cotton and the ultra-short dress , young and casual design of locomotive service.












CHANEL SPRING 2001 RTW






The starting point of the new year, exhibits the happiness of this line. The stage and venue lighting is clourful, together with the light colour of the collection, giving the feeling of relaxation.




CHANEL FALL 2001 ready to wear

























No longer the light, bright and colourful style in Fall. Light brown Kakhi and beige are suitable for the season indeed. Given famale garment and stylish leather long boots, it showed the upgraded status of women, without the loss of the women's softiness.




2009年3月14日 星期六





Chanel Cruise 2002














Chanel Cruise 2002 Cruise Wear nobles from the ancient royal family, in the late winter early spring cold southbound on a cruise on the worn out clothes. Development so far, Cruise Collection fashion has become a purchase limit of the warm sun brings Po, the benefits of even the four seasons can be wearing. Chanel Cruise 2002 to ballet clothing for inspiration. Karl Lagerfeld was the mother of modern dance dancer Mary Wigman will be transformed into an abstract space in the power of feminism, the search for deeper faith, to dance practice this quarter are popping up in the Cruise Collection. Four major themes: City Ballerina, Symbol Jean, Esprit Black Tie and Evening Ballerina. To the snow falling down or flouncing纱纱Peng way up to create a series of ballet skirt. To wear trousers under the shorts with the super-cashmere T-shirt, cardigan Sweater or jacket. Denim mini-skirt with an auto-mesh Shop cotton, filled with doll-like qualities, with the spring of the mainstream. Evening, in order to stack cutting cloth skirt asymmetric tactics, no edge angle Pago short skirts with knee-style chiffon T-shirt, waist sequined decorative wraps. Fashion brings out some kind of inter-disciplinary codes of practice to meet the creative spirit of teamwork dancers.
























2008: Chanel Haute Couture Collection


































The house of Chanel has gone back to its roots. The carousel-ignited runway was awash with varicolored tweeds, black, denim, chains, and knits — quintessential Chanel. And there were all shades and treatments of Karl's favorite color: black tweed, black leather, black knits, black stockings, black jeweled berets. But, Karl never lets black bore.
To shake things up — and to keep catering to the youthquake of Hollywood, including show attendees, the Olsens — minis were every which where. As well, a rubberized leather dress and Matisse-like patterned vinyl brought a bit of the '80s back to the Chanel runway. The finale dresses even showed some leg and texture, and had dramatic cascading capes. All, will keep the drama-hungry youth happy.

CHANEL 2008 / 9, autumn and winter high-level fashion show Merry-go-round turn ah ... magical charm to reproduce! Grand Palais in Paris, the magnificent art梁架and transparent glass roof, the Karl Lagerfeld ‧ will stage the fashion show, arranged into a giant merry-go-round. Only the design of this merry-go-round, there is no trace of the horse, instead, is a variety of classic Chanel totem: Link Check package, pearl necklaces, buttons, camellias, double C logo, the CHANEL jacket trimmed with滚边romantic bow. Elements in the combination of the classic Chanel's merry-go-round stage, the introduction of Karl Lagerfeld in 2008 ‧ autumn and winter series, at the same time and did not face with any accessories. "I want to show with a series of jewelry design, this should be pretty interesting." ‧ Karl Lagerfeld explained. "Because all of the classic Chanel accessories have appeared on the stage, so this time I would like to show is a fashion attitude." CHANEL 2008 series of autumn and winter fashion in order to cut and tidy and graceful lines to win. Further complicated by delicate fabric to conduct their lead a strong visual impact and charm of women's unique curves. Classic tweed jacket, a pretty "new decadent" style of design deliberately pumped in his elbow, short skirts on the pocket and can be seen everywhere, yet elegant wild uninhibited. No side effects cut, full of interesting rock. Depends on the waist belt, as a whole even more masculine style of beauty and self-confidence. Fabric by the tannin from the mini-CD system, but also rock and roll into a similar dynamic, filled with lively and mischievous character of the youth. Fewer new fall and winter accessories, so this year's design style in order to flouncing dramatic, full of three-dimensional sense of tailoring and fabric pleat lines on the main axis, the classic Chanel Cotton Shop Link Check car grid, autumn and winter series is also one of the key points. Contrast black-and-white color, and create a strong visual impact, the classic black-and-white interwoven, Ms. Chanel is his favorite choice. Contrast black-and-white color patterns, one after another in the tweed suit even the fabric on, no edge design and dress shirts for women, and ultimately, all this classic color combination. In addition, another autumn and winter series of eye-catching design, it is full of visual interest of the two-color stockings. Legs back to black, before the legs are the color white or color stockings, with m / black or dark gray / black with a rough match can be called Mary Jane high heels. CHANEL ‧ chief designer Karl Lagerfeld to shiny black patent leather mesh in the light through the wanton yarn as if to outline the hieroglyphs of the Mayan culture as the original design, full of retro style. In addition to reproduce the age of 60 will be the fashion style, eye-catching design of the bundle to attract the eyes of many. Crepe texture contrast leather tie belt, is Karl Lagerfeld ‧ The autumn and winter textures to emphasize minimalist works, more creative and delicate contrast. The magnificent Baroque gem and pearl brooch, is the small number of models who appear in the accessories, the dress in a gray winter sea, some of the wonderful finishing touch. Tailored to fit the curve outlined the United States, on the stage to show the women's charming lines of the skirt drag skirt design and the China-coated丽蕾丝, showing a stunning flower and geometric effects. Little black dress is a winter series, the design of high-profile star. Regardless of the length of arc are required close edge. "I said this is designed to effect『 』noose. Circular edge of the skirt collection, and create a rich visual rhythm, because the design seemed to skirt around the body, and then dancing with. So by the former to the later, can not when showing off the beautiful lines of the dynamic, walking and more will be the ratio of women to expose their beautiful body exposed. give up the accessories, I would like to convey the key points, is an attitude. I hope not artificial, not the ultimate interpretation of pretense in the classic manner luxury. "‧ Karl Lagerfeld's a view, as well as senior CHANEL autumn and winter fashion show, draw a perfect ending.





2009年3月12日 星期四

2009年3月11日 星期三

2009年3月10日 星期二